Systemic
2010
Installation interactive et programmée in situ
Taille variable
Durée infinie
Ordinateur, programme spécifique, caméra de surveillance, vidéoprojecteur(s)
Systemic est particulièrement bien adapté aux lieux publics habités par de nombreuses forces et niveaux de réalité, et dont elle procède à une relecture dynamique sous l'angle d'un système dynamique global dont même les humains font partie. Leur forme de flèche renvoie à la fois à la signalétique de ces lieux, au formalisme des vecteurs de forces physiques et aux flèches d'indexation, tous signes de mouvement et d'intention.
Systemic est une installation monumentale extrêmement saisissante, par son ampleur quasi-sublime, par sa fascinante dynamique, par la friction lumière-matière, tout en renvoyant à des questionnements métaphysiques sur les forces invisibles à l'oeuvre, à la fois dans les structures des bâtiment et dans celles des humains.
Systemic s'inscrit dans une approche artistique personnelle commencée il y a 15 ans et focalisée sur la plastique des forces à l'oeuvre, et dans un processus général de confrontation de cette approche avec des champs de création traditionnels tels la musique, la danse ou l'architecture. De la confrontation à l'architecture sont déjà nées les installations Les Lignes-mobiles (2000), premier prix des installations extérieures au Festival Interférences à Belfort, ainsi que l'installation Facade Life (2007), créée à iMal (Bruxelles) et montrée dans plusieurs pays et festivals. Systemic reprend et unifie les intentions développées dans ces deux installations dans une approche systémique globale qui donne son nom à l'installation.
Systemic
2010
Site specific
interactive and programmed installation
Variable size
Duration : infinite
Computer, specific program, surveillance camera, videoprojector(s)
Systemic is an interactive monumental site-specific installation which consists in the re-interpretation of an existing public place through the videoprojection on its architectural elements of a population of extremely dynamic white vectors which they thus inhabit and which incarnate the invisible forces at stake within the structures of the building. Sensitive to humans which pass by, they also reinterpret the forces of movement and of intention around and between the visitors, and between the visitors and the building. Very fluid, dynamic, autonomous, gifted of individual and group behavior, these force vectors proceed by attraction, repulsion, curiosity, boredom, desire, free will and crowd psychology. Swarming, they inhabit the floor, the walls and the ceiling of the place, which they consider their territory and which slightest corners they know by heart, and which they slide and brush against in a physical manner.
Systemic is particularly well suited to public spaces inhabited by many forces and levels of reality, and of which it proceeds to a dynamic reinterpretation with a global systemic angle which even humans are part of. Their arrow shape refers both to the signage of these places, to the formalism of forces in maths and physics and to pointing arrows, which are all signs of movement and intention.
Systemic is an extremely amazing monumental installation, with its quasi-sublime dimensions, with its fascinating dynamics, with the friction light-matter, while at the same time referring to metaphysical questioning about the invisible forces at stake, both in the architectural and the human systems.
Systemic is part of a personal artistic approach started 15 years ago and focalized on the shapes of forces at stake, and in a general process of confrontation of this approach with traditional fields of creations like music, dance or architecture. From this confrontation to architecture, are already born two installations : the Mobile-lines (2000), First Prize of the outdoor installations at Festival Interférences (Belfort, FR) and Facade Life (2007) created at iMAL (Bruxelles, BE) and shown in several countries and festivals. Systemic (2010) takes on and unifies the intentions developed in these two installations in a systemic approach which gives its name to the installation.
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